Visual research, on-site sketching, and field manuals — for studios, architects, and the occasional editor who wants the building drawn instead of photographed.
West face, Salinas. Wind off the lagoon, persistent. Brick warmer than expected. The roof is older than the wall — note the lichen line.
Section A-A drawn at 1:50; bricklayer was kind enough to show me the original 1934 plan from his grandfather. Reproduce as fold-out.
Every project moves through three movements. The third one — binding — is what most studios skip and most clients regret.
On-site days, weather permitting. Notebooks open from arrival, no plan agreed beyond walking the boundary.
Studio days in Copenhagen — sketches tightened, captions added, drawings sequenced into a working manuscript.
Layout in InDesign, printed by a small bindery in Aarhus. The studio receives the bound original and a print-ready file.
Elena turned three months of site visits into a sketchbook our practice still references at every review.
The studio runs about ten engagements a year. Embedded slots are limited to two; both for 2026 already booked.
Three days at the Salinas site. Filled two notebooks; the wind never stopped.
Coastal Vernacular went to print — 92 pages, 240 sketches, 4 fold-outs.
Speaking at the Plover review — 'On not photographing the building'.
Welcomed Maja Nilsen as research illustrator.
Most engagements begin with a poorly-photographed wall and an apology. The studio is friendly to half-formed briefs.